Lotus Pool, photo Sudeep Sen
.Flower floating on water, photo Sudeep Sen
NIGHT WATER
Galactic plasma, cosmos’s green blood —
night liquid lit by a light mimicking a distant sun.
Pre-natal amniotic fluid, embryo swimming
in a womb, pre-birth — before emerging whole.
Crickets count our heartbeats, as a lone-bird tweets
a mother’s call. You walk on water, chest high,
your garment soaked and translucent. You pirouette
subaqueous, limbs half-swimming, fingers fluttering
like a wingless moth seeking glare’s heat in this cool,
hands circling a patterned dance-form — your eyes
peering into darkness excavating the gathering stars,
their optics hidden to human eyesight’s secrets.
This may sound like silence — a Sapphic fragment,
a delicate phrase of an alaap or overture packing
multiple melodic strains in one sequence, a half-pause.
As pure sonics of the rumbling Milky Way reveals
itself for a millisecond — you offer your obeisance
on the water’s edge, as its surface-tension melts
and eases for a moment, allowing for the intricate
abhinaya’s gliding arc to close her parenthesis in.
🙡
ROCK IS WATER, WATER ROCK
Rock is water, water rock.
Stones sing, liquid-splashed.
After heavy rains, granite
glistens and gleams anew.
Steam stews, slow-simmers
on its brutal sun-scorched
skin — lines, cracks, fissures
marking millennia’s passing.
Congregation of oval granite —
gigantic, spectacular, stoic,
unmoved — balanced elegantly
on impossible fulcrums.
Nature-art’s imperceptible
movements — measured
in tectonic micro-shifts. Like
blood, aquifers crave life.
Deep embedded cratons —
slow-carving new gravity.
Rock is water, water rock.
Stones sing, liquid-splashed.
After heavy rains, granite
glistens and gleams anew.
Steam stews, slow-simmers
on its brutal sun-scorched
skin — lines, cracks, fissures
marking millennia’s passing.
Congregation of oval granite —
gigantic, spectacular, stoic,
unmoved — balanced elegantly
on impossible fulcrums.
Nature-art’s imperceptible
movements — measured
in tectonic micro-shifts. Like
blood, aquifers crave life.
Deep embedded cratons —
slow-carving new gravity.
🙡
EROSION
The drops of rain make a hole in the stone,
not by violence, but by oft falling.
— Lucretius
Repetition is an act of great diligence —
the reason stones are shaped the way are
by wind and water. Erosion’s relentless
brush creating rounded, opaque parabolas —
boulders balanced impossibly on pin-points.
Even gravity succumbs — to art-making.
ERASURE
Paisleys, florets and oviforms —
form filigreed lace-like lines
carved by rushes of rain-water.
Multiple micro-waterways
draw out branch-like tracks
on red rock-speckled earth.
The streams meet, run parallel,
seep deep into earth-layers
feeding subterranean wells.
Over centuries water-patterns
create striations, dips, curvatures.
Wind-water’s erosive power
etch, mineral-mapping granite’s
stone art — erasure’s enigma.
🙡
RELENTLESS RAIN BEATS DOWN THROUGH THE NIGHT AND DAY
Relentless rain beats down through the night and day —
it is unceasing — balletic in its falling. Silver striations
of wet-streams cast impressionistic paintings
on glass window-panes. Endless thunder-showers —
a choral refrain. Rain’s fullness — a fecund presence.
🙡
IMPRINT
haiku
water’s imprint on
stone, residual — its birth
marks time, age, sex, place.
🙡
LAKE HAIKU 1
water’s mirrored sheen —
swan’s skate, gliding on its skin —
marine undertow
🙡
LAKE HAIKU 2
clouds lie on water
photo-perfect and stone still —
a transient frame
RED RAIN
Chopped wood —
stacked, floating dead
An idle boat —
rudderless, adrift
Black rain,
red rain —
but not a drop
to drink or taste.
No space left
for humans —
only beauty
of contamination
like rainbows
and sunsets —
prolongs illusion
It is illusion
that allows us
to live, dream —
charting out our own
perpetual diary.
🙡
i. e. [THAT IS]
i.e.
because you hear –
the sound
of a lone rustling leaf –
you hear the sea
i.e.
because I consider
the sea silent –
you hear its silence
in my studio.
i.e.
& because of that –
the silence will not empty
the sea,
of its leaves.
🙡
RISING SEA LEVELS
The ever-hooded, tragic-gestured sea.
— Wallace Stevens
Granite outcrop
that once jutted out
of the ebullient sea —
fifty metres
from the shore —
is seen no more.
The lighthouse —
our beacon,
an adventure island.
We’d swim to its base —
shells, mussels,
striated oval stones,
seagull eggs nested
on slippery
kelp-laced rocks.
As children, reality —
as adults,
a submerged memory.
🙡
DROUGHT, CLOUD
It is bone-dry — I pray for any moisture
that might fall from the emaciated skies —
There is a cloud, just a solitary cloud
wafting perilously —
But it is too far in the distance
for any real hope — for rain.
first si
Sudeep Sen is a leading international poet whose prize-winning books include: Postmarked India: New & Selected Poems (HarperCollins), Aria (A K Ramanujan Translation Award), Fractals: New & Selected Poems | Translations 1980-2015 (London Magazine Editions), EroText (Penguin), Kaifi Azmi: Poems | Nazms (Bloomsbury), Anthropocene (Pippa Rann, Rabindranath Tagore Literary Prize), and Red. Edited landmark anthologies include: The HarperCollins Book of English Poetry, Modern English Poetry by Younger Indians (Sahitya Akademi), and Converse: Contemporary English Poetry by Indians (Pippa Rann). Blue Nude: Ekphrasis & New Poems (Jorge Zalamea International Poetry Prize), Rock, and The Whispering Anklets are forthcoming. His photography represented by ArtMbassy, Rome/Berlin. The Government of India awarded him the senior fellowship for “outstanding persons in the field of culture/literature.” Sen is the first Asian honoured to deliver the Derek Walcott Lecture and read at the Nobel Laureate Festival.
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