Ars Notoria Futurum
As a humane socialist magazine, it would be remiss of us not to begin by commenting on the tragic and worrying events unfolding nationally and internationally. Tragedy and worry overshadow everything, yet they should not colour everything. This October edition of Ars Notoria might very well be renamed Ars Notoria Futurum in the spirit of science fiction, for all our dystopian futures seem to be arriving at once.
Orwell’s world of disinformation and surveillance is here, alongside the serried ecocatastrophes of J.G. Ballard. We stand at the abyss where the possibility of nuclear war beckons, and our leaders whisper, “Jump!” Financial and armaments corporations control governments, and Artificial Intelligence is taking sides, becoming as mad as a hatter. Most painfully, we witness a nation, born from the ashes of a European Holocaust, now perpetrating a genocide of its own against the Palestinian people, with the full collaboration of the US and UK governments. We are suffering from a nauseating historical whiplash.
This is the future. A future where the US president suggests generals practise war on their own people, where surveillance is automated, and where a digital ID monitored by AI threatens to bring the dystopia of all dystopias to our doorstep. Yet here, at the quiet centre of the imperial hurricane, life is deceptively peaceful. The Rawlsian calculus of rebellion is carefully managed. But as the young, decent people of the world inherit this melee of selfishness, we must remember the words of Jimmy Reid: “A rat race is for rats. We’re not rats. We’re human beings.”
It is in this spirit—of celebrating the human spirit even at the threshold of disaster—that we present this issue.
This magazine opens with a pressing concern for our media landscape. Karl Rutledge critiques the BBC and other major outlets for normalising far-right rhetoric, asking whether this is a defence of free speech or a dangerous moral failure. In turn, Paul Halas sounds the alarm, calling for the left to consolidate its response to the rising threat of fascism before it’s too late.
Our political analysis continues with a global perspective. Richard Steinhardt notes that the current Pope, Leo XIV, has not adequately stepped up to defend Palestinians against ongoing starvation and genocide, arguing the Vatican has sided with the United States against the multi-polar world. Further amplifying these geopolitical tensions, Phil Hall speculates on the Trump regime’s recent gathering of 800 senior military officers, asking the ominous question: is Trump preparing for a blitzkrieg?
In the realm of culture and the arts, we celebrate the centenary of Nissim Ezekiel, a pioneer of Indian poetry in English. We also present an interview with the Venezuelan poet Carlos Katan, who explores his personal philosophical outlook. From the silver screen, Norman B. Schwartz offers a biographical sketch of Humphrey Bogart, while Jon Elsby reviews Ben Machell’s Chasing the Dark, an exploration of Tony Cornell’s investigations into the supernatural.
This issue also features critical discussions on the misuse of indigenous rights and media as weapons of imperialism. A particularly illuminating article by Andy Hall on his coverage of the Cuban withdrawal from Angola provides a masterclass in journalism in how the mainstream narrative imposes itself on journalists.
We then offer a moment of satirical relief with a parody of an outgoing spy chief’s speech, followed by a dark piece of short fiction from Amal Chatterjee. We are also proud to include extracts from the engaging memoir of chef David Yip, and from Margaret Yip, who details the challenges of family separation.
To cheer us all up, Grace McNicholas writes on the joys of rewilding chickens, and Arun Kapil reflects on the most crucial ingredient in cooking: time. In a keenly felt piece, Phil Hall discusses the Palestinian dish, Fatteh, using it as a lens to reflect on food, family, and the ongoing profound tragedy.
Finally, we end by questioning the very concept of utopia. As we ponder, we are reminded that those who defend their own existing utopia are often the very same who deny everyone else’s.
We publish as the world holds its breath. We must turn back from the brink.
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7. KEEPING MY PROMISE
David Yip at the Queens Head with one of the locals. Photo credit, David Yip by David Yip In 2017, after leaving my previous employer, I was once again looking for work. Having no savings, my younger sister paid for everything until I could find a job. At home, I kept up my house…
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Raghu Rai (Dec 18, 1942 — April 26, 2026). R.I.P.
Raghu Rai with Sudeep Sen March 5th 2024. Photographs Sudeep Sen I was privileged to know Raghu Rai. He was a very kind, generous and spiritual human being. In his memory, here is an ekphrastic poem I wrote in 2013 responding to one of haunting signature photographs. The poem was published in my book, Fractals: New…
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It’s capitalism and Geopolitics not Israel and the Zionists, Stupid
Protesting about Henry Ford’s links with the Nazis in the 1930s Capitalism is first and foremost a mindfuck! by Richard Steinhardt Through the historical lens, the core argument is that the fundamental causes of the current war in Central Asia, the Gulf, the war conducted against the Russian Federation, and the potential war over…
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I Don’t Understand
She sat in the sand of the Sinai desert, her back against the cool stone wall of the Al Huda Mosque. Photograph Tina Bexson by Tina Bexson It was two weeks since she ran away from England. It was 4 am and hot. She sat in the sand of the Sinai desert, her back…
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IN CONVERSATION WITH LES BRANSON, GUERRILLA FILMMAKER
Les Branson. Screenshot from the prizewinning documentary Guerrilla Filmmaker Les Branson’s interview with Paul Halas, with additional questions from Phil Hall and James McGuire. Les Branson is a filmmaker, poet, playwright, novelist, newspaper columnist and erstwhile business person, one of those people who’s annoyingly talented in multiple areas, and breathes fresh air into everything…
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SUDEEP SEN: RABINDRANATH TAGORE AS THE INTIMATE OTHER
In the light of Sudeep Sen’s forthcoming participation in the International Colloquium of Poetry and Philosophy organised by Ulises Paniagua Olivares, Ars Notoria (The Art of the Noteworthy) is republishing Sudeep Sen’s essay Rabindranath Tagore as the Intimate Other. In this essay, “Tagore as the Intimate Other,” Sudeep Sen (labelled by the BBC Radio as one of…
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HUGO GIOVANETTI VIOLA / 3 POEMS
Hugo Giovanetti Viola. Photograph Guillermo Wood. Hugo Giovanetti Viola (Uruguay, 1948) is a multifaceted artist who has worked in poetry, narrative, popular song, essays, theater, film, journalism, and cultural production. A guitar teacher since 1967 and director of the Taller Literario Universo since 1990, he co-founded the magazine Universo in 1970. During Uruguay’s de…
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Dustin Pickering: War Poems
Credit, Lego ANIMASI, Screen Capture, Public Domain It is close to Easter 2026 and I learn that Pete Hegseth, the current Secretary of War for the United States, opened the Pentagon Chapel for Good Friday services. Oddly, his note inviting 3,500 employees indicated services were for Protestants only. While Catholics do not celebrate Good…
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Roger Murphy: Discovering the Ode
1819 was a miraculous year for English poetry. John Keats wrote six odes, the first five were written in the Spring, the sixth, in the Autumn. These six poems (On a Grecian Urn, On Indolence, On Melancholy, to a Nightingale, to Pscyhe and To Autumn) have become a foundation stone of English Literature.…
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Photo Essay: Biharis in Geneva Camp, Dhaka
Photograph Inge Colijn by Inge Colijn Geneva Camp in Dhaka, Bangladesh, is an old urban refugee camp. With the 1947 partition of India many Urdu speaking Biharis moved to then East-Pakistan. Those who supported the West Pakistan army during the 1971 Liberation War remained stranded here as stateless communities when East-Pakistan became Bangladesh. Between…





















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