Editorial
This Month’s Highlights
This month, Paul Halas interviewed the well-known illustrator David Melling, famous for his children’s books and based in Abingdon. But David Melling has a dark side—and we explore it in this issue.
Tina Bexson, a veteran and heroic journalist, laid up in hospital with her hands bandaged somewhere in the Sinai Peninsula, sent us a slick, polished, and disturbing vignette titled The Mosque of Timna. Really, it should have been published by The New Yorker—but we were lucky enough to get hold of it first.
Ulises Paniagua Olivares is a force of nature. His Spanish vocabulary astounds even native speakers, and he possesses what we call poder de convocatoria—the power to convene. This marks the fifth iteration of the International Colloquium of Poetry and Philosophy, which he organized. Among the great poets who took part was José Pulido, a journalist and prolific writer respected throughout Latin America but not widely known elsewhere. We hope this interview and selection of poems will give you a taste of his remarkable work.
Amal Chattarjee, a strategist, divides his time between several European countries and universities. He is a Senior Course Tutor for the University of Oxford’s MSt (Master’s Programme) in Creative Writing and has contributed several stories to Ars Notoria. This latest one is particularly well-constructed and fascinating, touching on art, love, change, and time in a way only a highly accomplished writer can.
One of Ars Notoria’s star writers is Arun Kapil, the punk food poet, who continually opens new horizons for us. His latest article is an experiment in creative fusion, issuing us a “licence to create”—with a few provisos. Try making the recipe he’s shared this week: a walnut and celery leaf risotto with asafoetida swagger. An open-minded Italian might just enjoy it. Brilliant, as usual.
Norman B. Schwartz opens our eyes to Hollywood history, this time exploring the relationship between Alfred Hitchcock and David O. Selznick. Schwartz provides background on both men and shows how they came together to make award-winning films like Rebecca.
Lucy Hall has written a moving story about twin brothers separated by bereavement. A young but seasoned and talented writer, Lucy is moving to New York to pursue a postgraduate degree in creative writing.
We also feature an article on Morris dancing—a subject that should adorn every literary-cultural magazine. David Rees discusses its wilder, more macho side.
From Karl Rutledge and Roger Murphy, we have two moving and sombre poems on separate subjects. Previously published together as The New Malden Poets, their collaboration is in danger of becoming a movement. One poem is titled Evensong, the other Psalm for Today.
James Tweedie, a journalist who has worked for many well-known publications (including a stint as international editor of The Morning Star), explains the war between Israel and Iran, with the USA looming in the background. The title is self-explanatory: ‘The 12-Day War of Lies’.
Phil Hall, taking advantage of his position as executive editor, has written two articles: one on the dangers of legalising euthanasia, the other on the advantages of sousveillance. Go figure.
Finally, Pete Field has contributed a cartoon on the subject weighing heavily on all our minds—one driving the world mad with grief: the Israeli death machine.
While they ban rappers for opposing it, the Israeli Defence Force lays out food, only to kill those who come to take it—like rats. Let’s not fool ourselves: your government and mine are supporting that regime. Shame on us.

seven times three
by Amal Chatterjee
Ars Notoria Magazine Posts
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SMOOTH OPERATOR: taking on the biggest poker game in the world
Grand Lisboa and Wynn buildings in Macau. Photograph Da Na Pexels Macau ‘whales’ are the biggest fish in high stakes poker by Thomas Levene This article is, in part, my personal poker journey and, partly, an insight into the mysterious and secretive world of nose-bleed cash games that just get bigger and bigger. The…
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Sonnet Mondal: Poems From the Heart
Ever since I stumbled on Sonnet Mondal’s poems, I have been captivated by their stunning simplicity and words evoking a magical experience. That he achieves this consistently is breath-taking. In this occasional series, our aim is to connect you with some of these exceptional beauties I come across. These are rare, as they don’t…
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Co-Constitution and the Holonic Path of Evolution
A coral reef does not merely adapt to the ocean, it co-constitutes the living reef-ocean system. Photograph Francesco Ungaro Reimagining Evolution as a Creative Partnership of Wholes and Parts by Phil Hall Traditional adaptivity—traits that enhance an organism’s survival and reproduction within a fixed environment—falls short when seeking to understand holonic evolution. The dominant…
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Childhood’s End
Inspired by a photograph by Eve Hall Snr. We must embrace complexity, and evolve to meet the challenges of our time A person who understands that all people are members of his body is a sound person to guide them. Paraphrased from the Tao Te Ching by Phil Hall The self emerges from stories.…
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July Issue
What are you, FBI or something? Yves Montand in Grand Prix en 1966. Photograph French National Archives, Joop van Bilsen / Anefo, Public Domain Editorial The July issue opens with Ulises Paniagua mourning the loss of authentic football and the traditional World Cup spirit, overtaken by commercialization, betting, corruption, and spectacle, while celebrating the successes of the Mexican…
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JOHN GRANT: Stare at the monster: remark
John Grant is a valued member of our New Malden Writers’ Group. His poems are clear in their ideas and accomplished in form. They do what they say on the tin! We always start with a poem by John and end with a poem by John because they put the New Malden Writers in…
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Dominic Fisher: Four Poems
Gargoyles in Bristol. Money going up may not trickle down again. Photograph Phil Hall At the bathroom door Drying my handsI saw my grandfather’s hands againthe deltas there, the sandbanksspots and blotches in the shallows. I saw them withdrawingto the silent island of himselfand mine still going out to sea. And you turningat…
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Tebræ, African Art and Fractal Geometry*
Tejidos Songhay [Mali] [Colección Fondo Kati]. by Ismaël Diadié Haïdara To Paco Montañés, painter Theme and Variations – I 1 Tebræ are two-verse poems (with 6 feet in the first verse and 8 in the second), shorter than haikus, initially created by Hasaniya-speaking women of the Sahara Desert. They are like objects whose structure repeats…
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FRANCESCA YOUNG: Letters to Former Lieutenant Yamaguchi Hiroshi, 1947
Photo by Murry Lee Dear Lieutenant Yamaguchi I am ashamed to admit this but I simply have to tell someone. I always considered you a friend during the war, not just my superior, and I trust your judgement. I have been acting as a translator for the Americans since shortly after the surrender. Well…
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COOLING DOWN IN HEATED TIMES
Climate writes the recipe by Arun Kapil We don’t really do heat over here. I grew up in Britain, now live in Ireland and I can report that both nations react to a heatwave with admirable determination and almost no practice. The thermometer nudges past twenty-five degrees and, almost overnight, we become a nation…
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ULISES PANIAGUA: The Poem Is the Tiger
Arina Krasnikova on Pexels Be in Awe Be in awe: language was given to usWhat a marvellous neural mechanismWhat a way to send ideas through the air What magnificent undulations, these that binddeep roots without our touchingWhat invisible magic in the frontal lobeWhat a way to illuminate the intricate tapestryof the exocerebrum Marvel at…
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The Tenuous Connection Between Frank W. Garmon Jr’s Account of Charles Cowlam’s Infamous Masquerades, the Present Author, and Geoffrey Robinson’s Hedingham Harvest
Charles Cowlam. Charles Family Photographs, South Caroliniana Library, University of South Carolina. by Peter Cowlam The full title of Frank W. Garmon’s sweeping account of the career of Charles Cowlam is A Wonderful Career in Crime: Charles Cowlam’s Masquerades in the Civil War Era & Gilded Age. Garmon explains in his preface to the…










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