Ars Notoria Futurum
As a humane socialist magazine, it would be remiss of us not to begin by commenting on the tragic and worrying events unfolding nationally and internationally. Tragedy and worry overshadow everything, yet they should not colour everything. This October edition of Ars Notoria might very well be renamed Ars Notoria Futurum in the spirit of science fiction, for all our dystopian futures seem to be arriving at once.
Orwell’s world of disinformation and surveillance is here, alongside the serried ecocatastrophes of J.G. Ballard. We stand at the abyss where the possibility of nuclear war beckons, and our leaders whisper, “Jump!” Financial and armaments corporations control governments, and Artificial Intelligence is taking sides, becoming as mad as a hatter. Most painfully, we witness a nation, born from the ashes of a European Holocaust, now perpetrating a genocide of its own against the Palestinian people, with the full collaboration of the US and UK governments. We are suffering from a nauseating historical whiplash.
This is the future. A future where the US president suggests generals practise war on their own people, where surveillance is automated, and where a digital ID monitored by AI threatens to bring the dystopia of all dystopias to our doorstep. Yet here, at the quiet centre of the imperial hurricane, life is deceptively peaceful. The Rawlsian calculus of rebellion is carefully managed. But as the young, decent people of the world inherit this melee of selfishness, we must remember the words of Jimmy Reid: “A rat race is for rats. We’re not rats. We’re human beings.”
It is in this spirit—of celebrating the human spirit even at the threshold of disaster—that we present this issue.
This magazine opens with a pressing concern for our media landscape. Karl Rutledge critiques the BBC and other major outlets for normalising far-right rhetoric, asking whether this is a defence of free speech or a dangerous moral failure. In turn, Paul Halas sounds the alarm, calling for the left to consolidate its response to the rising threat of fascism before it’s too late.
Our political analysis continues with a global perspective. Richard Steinhardt notes that the current Pope, Leo XIV, has not adequately stepped up to defend Palestinians against ongoing starvation and genocide, arguing the Vatican has sided with the United States against the multi-polar world. Further amplifying these geopolitical tensions, Phil Hall speculates on the Trump regime’s recent gathering of 800 senior military officers, asking the ominous question: is Trump preparing for a blitzkrieg?
In the realm of culture and the arts, we celebrate the centenary of Nissim Ezekiel, a pioneer of Indian poetry in English. We also present an interview with the Venezuelan poet Carlos Katan, who explores his personal philosophical outlook. From the silver screen, Norman B. Schwartz offers a biographical sketch of Humphrey Bogart, while Jon Elsby reviews Ben Machell’s Chasing the Dark, an exploration of Tony Cornell’s investigations into the supernatural.
This issue also features critical discussions on the misuse of indigenous rights and media as weapons of imperialism. A particularly illuminating article by Andy Hall on his coverage of the Cuban withdrawal from Angola provides a masterclass in journalism in how the mainstream narrative imposes itself on journalists.
We then offer a moment of satirical relief with a parody of an outgoing spy chief’s speech, followed by a dark piece of short fiction from Amal Chatterjee. We are also proud to include extracts from the engaging memoir of chef David Yip, and from Margaret Yip, who details the challenges of family separation.
To cheer us all up, Grace McNicholas writes on the joys of rewilding chickens, and Arun Kapil reflects on the most crucial ingredient in cooking: time. In a keenly felt piece, Phil Hall discusses the Palestinian dish, Fatteh, using it as a lens to reflect on food, family, and the ongoing profound tragedy.
Finally, we end by questioning the very concept of utopia. As we ponder, we are reminded that those who defend their own existing utopia are often the very same who deny everyone else’s.
We publish as the world holds its breath. We must turn back from the brink.
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From Empire to Domestic Ethnic Cleansing?
Welsh Tea Cakes. Zingy Yellow. Wikimedia Commons Reflections on English and Welsh Nationalism by Pete Field Before I start asking questions I must state my position. I am English, from the North-East of England and I support a United Ireland, an Independent Scotland, a free Wales and independence for the North of England. Devolution…
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A SELECTION OF JENNIFER JOHNSON’S AFRICAN POEMS
The White Nile. Photograph Flavia Corpas At Ars Notoria we are pleased to be able to introduce Jennifer Johnson to our readers. She was born in 1956 in Sudan, by the side of the Nile, between Khartoum and what is now the border of South Sudan – on the edge of the dividing line…
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The futility of War and the Hapless Victims of War
A B-29 over Osaka on 1 June 1945. US Air Force Public Domain “Did you know that the worldwide food shortage that threatens up to five hundred million children could be alleviated at the cost of only one day, only ONE day, of modern warfare.” — Peter Ustinov, actor, writer, and director (16 Apr…
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Daljit Nagra’s Poetics of Tactile Sabotage
Writing becomes grooming: repetitive, humble, necessary. Richard Steinhardt. Photograph by Lisa Steinhardt (p. 77, Versed) Nagra, Daljit. Yiewsley. Faber & Faber, June 2026. Hardback: £14.99; ebook. Faber Poetry Subscription title for June 2026 (subscribe by 31 May to receive). “A return to the poet’s boyhood and the town that made him.” by Yogesh Patel…
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SUDEEP SEN’S WALKS IN LEOPARD COUNTRY
Sudeep Sen is the International and Poetry Editor at Ars Notoria and a leading international poet whose prize-winning books include: Postmarked India: New & Selected Poems (HarperCollins), Aria (A K Ramanujan Translation Award), Fractals: New & Selected Poems | Translations 1980-2015 (London Magazine Editions), EroText (Penguin), Kaifi Azmi: Poems | Nazms (Bloomsbury), Anthropocene (Pippa Rann, Rabindranath Tagore Literary Prize), and Red. Edited landmark anthologies include: The HarperCollins Book of…
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The Orbis Poetry Prize 2025: A Subscribers’ Choice
Crystal Orb. Photograph Phil Hall by Yogesh Patel There is a particular genuine sincerity in a prize decided not by a closed jury but by the interactive poets of a literary journal. This is the unique and honest quality for which my Word Masala Foundation sponsors the Orbis Poetry Annual Prize. It is fully…
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18. Hitching the Wagon
Kennedys From Patriarch to Son by Norman B. Schwartz Part I: Ambassador Kennedy. Like Father, Like Son Joseph Patrick Kennedy Sr (1888–1969) was a man of enormous political ambition, first for himself and then for his sons – the first killed in the Second World War, two others assassinated, John F. Kennedy (born 1917)…
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Black Pepper, White Salt, Green Magic
Parsley. Photo by Tima Miroshnichenko Pexels.com Herbs as care, spellwork, scandal and the people’s green masala by Arun Kapil The first herb that properly got me was not basil, not rosemary, not some noble Mediterranean shrub clinging to a hot stone wall. It was cress. Tiny brown specks on damp tissue. Nothing much to…
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The Birth of the Atlantic and the Construction of the Figure of the “Negro”
Etudiante lisant L’unité culturelle de l’Afrique noire, en 2021. JN Picture ‘European civilisation has been a long process of epistemicide—the destruction of knowledge, languages, cultures, and the production and distribution of wealth.’ Afrocentrism and Identity Construction “Mɔgɔ kelen tɛ yɛlɛma kɔni kelen ka kɛ bɛɛ ye.”A single person cannot become everything all alone.—Bambara proverb, Mali.…
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Frusick: Making Sweeter Music
by J.W. Wood They came up with the technology at the end of the last century: right after they’d perfected WiFi and 3D optics. Like so many inventions, Frusick was just waiting for some bright spark to pluck it out of the ether – and that’s exactly what some bright spark did. Via cute…





















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