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Ars Notoria

The Art of the Noteworthy — The London Bimestral — ISSN 2979-3378

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Ars Notoria

The Art of the Noteworthy — The London Bimestral — ISSN 2979-3378

SEPTEMBER 2025 ~ ISSUE 5 VOL 1


Ars Notoria Futurum

As a humane socialist magazine, it would be remiss of us not to begin by commenting on the tragic and worrying events unfolding nationally and internationally. Tragedy and worry overshadow everything, yet they should not colour everything. This October edition of Ars Notoria might very well be renamed Ars Notoria Futurum in the spirit of science fiction, for all our dystopian futures seem to be arriving at once.

Orwell’s world of disinformation and surveillance is here, alongside the serried ecocatastrophes of J.G. Ballard. We stand at the abyss where the possibility of nuclear war beckons, and our leaders whisper, “Jump!” Financial and armaments corporations control governments, and Artificial Intelligence is taking sides, becoming as mad as a hatter. Most painfully, we witness a nation, born from the ashes of a European Holocaust, now perpetrating a genocide of its own against the Palestinian people, with the full collaboration of the US and UK governments. We are suffering from a nauseating historical whiplash.

This is the future. A future where the US president suggests generals practise war on their own people, where surveillance is automated, and where a digital ID monitored by AI threatens to bring the dystopia of all dystopias to our doorstep. Yet here, at the quiet centre of the imperial hurricane, life is deceptively peaceful. The Rawlsian calculus of rebellion is carefully managed. But as the young, decent people of the world inherit this melee of selfishness, we must remember the words of Jimmy Reid: “A rat race is for rats. We’re not rats. We’re human beings.”

It is in this spirit—of celebrating the human spirit even at the threshold of disaster—that we present this issue.

This magazine opens with a pressing concern for our media landscape. Karl Rutledge critiques the BBC and other major outlets for normalising far-right rhetoric, asking whether this is a defence of free speech or a dangerous moral failure. In turn, Paul Halas sounds the alarm, calling for the left to consolidate its response to the rising threat of fascism before it’s too late.

Our political analysis continues with a global perspective. Richard Steinhardt notes that the current Pope, Leo XIV, has not adequately stepped up to defend Palestinians against ongoing starvation and genocide, arguing the Vatican has sided with the United States against the multi-polar world. Further amplifying these geopolitical tensions, Phil Hall speculates on the Trump regime’s recent gathering of 800 senior military officers, asking the ominous question: is Trump preparing for a blitzkrieg?

In the realm of culture and the arts, we celebrate the centenary of Nissim Ezekiel, a pioneer of Indian poetry in English. We also present an interview with the Venezuelan poet Carlos Katan, who explores his personal philosophical outlook. From the silver screen, Norman B. Schwartz offers a biographical sketch of Humphrey Bogart, while Jon Elsby reviews Ben Machell’s Chasing the Dark, an exploration of Tony Cornell’s investigations into the supernatural.

This issue also features critical discussions on the misuse of indigenous rights and media as weapons of imperialism. A particularly illuminating article by Andy Hall on his coverage of the Cuban withdrawal from Angola provides a masterclass in journalism in how the mainstream narrative imposes itself on journalists.

We then offer a moment of satirical relief with a parody of an outgoing spy chief’s speech, followed by a dark piece of short fiction from Amal Chatterjee. We are also proud to include extracts from the engaging memoir of chef David Yip, and from Margaret Yip, who details the challenges of family separation.

To cheer us all up, Grace McNicholas writes on the joys of rewilding chickens, and Arun Kapil reflects on the most crucial ingredient in cooking: time. In a keenly felt piece, Phil Hall discusses the Palestinian dish, Fatteh, using it as a lens to reflect on food, family, and the ongoing profound tragedy.

Finally, we end by questioning the very concept of utopia. As we ponder, we are reminded that those who defend their own existing utopia are often the very same who deny everyone else’s.

We publish as the world holds its breath. We must turn back from the brink.


politics

A Dangerous Moment

by KARL RUTLIDGE


The Slide Towards Tyranny

by PAUL HALAS


Is Trump Preparing for a Blitzkrieg?

by PHIL HALL


The Tale of Two More Popes

by RICHARD STEINHARDT


Who Supports Fascism?

by BRYAN GREETHAM


POETRY

The Centenary of Nissim Ezekiel

by SUDEEP SEN

Read

Interview with the Poet Carlos Katan

with ULISES PANIAGUA


12. He Thinks He’s Bogie

by NORMAN B. SCHWARTZ


Chasing the Dark by Ben Machell

by JON ELSBY

a person holding tarot cards

PHOTOJOURNALISM

Andy Hall’s Coverage of the Cuban Withdrawal from Angola in ‘89

Read


selective focus photography of brown chicken

PERSONAL JOURNEY

Rewilding Chickens in Torrskog

by GRACE MCNICHOLAS

Read

MEMOIR

4. DOUBT

by DAVID YIP


FICTION

Birth

by AMAL CHATERJEE

dramatic overhead shot of old open books

MEMOIR

9. Separation

by MARGARET YIP


MEMOIR & FOOD

Cooking with Time

by ARUN KAPIL

Read

FATTEH IS A PALESTINIAN DISH

by PHIL HALL


Whose Utopia?

by PHIL HALL

Read

SEPTEMBER 2025 ~ ISSUE 4 VOL 1


AUGUST 2025 ISSUE 3 VOL 1


JULY 2025 ~ ISSUE 2 Vol 1


JUNE 2025 ~ ISSUE 1 VOL 1


  • Towards an Encounter with Valentina Rojas

    Towards an Encounter with Valentina Rojas

    31st August 2026

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    Ars Notoria

    Photograph courtesy of the poet Valentina Rojas was born in Envigado, Antioquia, in 1998. She is a poet, editor, teacher, workshop facilitator, and cultural promoter whose work has appeared widely in journals, anthologies, and digital literary outlets across Colombia and beyond. Her poems have been translated into English, Italian, Arabic, and Portuguese, and have…

  • Umberto Eco’s ‘Numero Zero’, the Last Novel

    Umberto Eco’s ‘Numero Zero’, the Last Novel

    31st August 2026

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    Ars Notoria

    Umberto Eco in 1984. Photograph Bogaerts, Rob / Anefo Public Domain by Abraham Chinchillas The starting point is the point of no return. It is the reaction that germinates while the action is brewing. It is the dress rehearsal with lights and an audience. It is number zero. First published in English a little…

  • SONNET MONDAL: SURVIVAL

    SONNET MONDAL: SURVIVAL

    31st August 2026

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    Ars Notoria

    Photograph by Corentin Henry on Pexels Sonnet Mondal’s poems are remarkable for their ability to express profound truths through clear, simple language, avoiding the obscurity that often alienates readers from modern poetry. In Hungry Faith, the image of a fisherman struggling against an unyielding river quietly captures the relentless weight of poverty, where hope…

  • PETER COWLAM: SONNETS AND SENNETS

    PETER COWLAM: SONNETS AND SENNETS

    31st August 2026

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    Ars Notoria

    Mussolini in his pomp The three poems that follow, drawn from Peter Cowlam’s forthcoming collection Sonnets and Sennets, offer a sharp and sardonic look at power, identity, and the language that sustains them. In Commander-in-Chief, the speaker exposes the isolation and betrayal at the heart of leadership. The Adoration of Belonging questions our deep need…

  • Ismaël Diadié Haïdara: The Laughter of Pessoa

    Ismaël Diadié Haïdara: The Laughter of Pessoa

    31st August 2026

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    Ars Notoria

    Fernando Pessoa in Lisbon. From Fernando Pessoa, Obra Poética, Vol. I, Photographer unknown. LISBON NOTES Between 1888 and 1935, the photographs of Fernando Pessoa follow one another and do not resemble one another. Few writers have left to posterity so many portraits that have nothing in common but the name. Which one is really…

  • An Incident in the Caucasus

    An Incident in the Caucasus

    31st August 2026

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    Ars Notoria

    Artur Skoniecki and Virvoreanu Laurentiu under the Pixabay Content License Diary of Lieutenant-Colonel Ivan Petrov North Ossetia10 January 1944 13:45 The men tell me they have found a foreign spy. I think they are drunk. The two privates who came to me are gibbering bizarrely. One minute they tell me the man is a…

  • ‘No Police, Please. No Police’

    ‘No Police, Please. No Police’

    30th August 2026

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    Ars Notoria

    – A ‘story’ by Tina Bexson Prologue She’d been back in the city for four days, photographing his film crew at work. From the Pyramids to Downtown’s delights, and the Nile’s exclusive floating restaurants. So, what if it was the height of summer, pollution at its peak, sweat clouding her vision, dripping into the…

  • RACHAEL BOAST

    RACHAEL BOAST

    30th August 2026

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    Ars Notoria

    Photograph courtesy of Rachael Boast Rachael Boast (born 1975) is a British poet and Fellow of the Royal Society of Literature. Born in Suffolk, she studied at the University of Wolverhampton before earning an MLitt and PhD from the University of St Andrews. Her debut collection, Sidereal (2011), won both the Forward Prize for Best First…

  • The Poetry of Maria Heath

    The Poetry of Maria Heath

    30th August 2026

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    Ars Notoria

    Photograph courtesy of Maria Heath Maria Heath’s poetry, essays, and autobiographical writing have been published by Torriano Poets, Nirala Publications, Strand International, Lakeview, and George Whitman at Shakespeare and Company. She holds a Masters in Fiction Writing (with Distinction) from Royal Holloway, University of London, and is currently working toward a doctorate in Creative Non-Fiction at King’s College, London. Having grown up in…

  • Mary Mulholland: Is this where it begins?

    Mary Mulholland: Is this where it begins?

    30th August 2026

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    Ars Notoria

    Photograph by kind permission of Xavier Bonfill Mary Mulholland is a widely published poet whose work has appeared in magazines like Magma, Poetry News, Under the Radar, Stand, Mslexia, and Aesthetica. She has an MA in Poetry from the Newcastle Poetry School and is the author of two pamphlets, what the sheep taught me and the elimination game. Mulholland founded Red Door Poets…

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