Ars Notoria Futurum
As a humane socialist magazine, it would be remiss of us not to begin by commenting on the tragic and worrying events unfolding nationally and internationally. Tragedy and worry overshadow everything, yet they should not colour everything. This October edition of Ars Notoria might very well be renamed Ars Notoria Futurum in the spirit of science fiction, for all our dystopian futures seem to be arriving at once.
Orwell’s world of disinformation and surveillance is here, alongside the serried ecocatastrophes of J.G. Ballard. We stand at the abyss where the possibility of nuclear war beckons, and our leaders whisper, “Jump!” Financial and armaments corporations control governments, and Artificial Intelligence is taking sides, becoming as mad as a hatter. Most painfully, we witness a nation, born from the ashes of a European Holocaust, now perpetrating a genocide of its own against the Palestinian people, with the full collaboration of the US and UK governments. We are suffering from a nauseating historical whiplash.
This is the future. A future where the US president suggests generals practise war on their own people, where surveillance is automated, and where a digital ID monitored by AI threatens to bring the dystopia of all dystopias to our doorstep. Yet here, at the quiet centre of the imperial hurricane, life is deceptively peaceful. The Rawlsian calculus of rebellion is carefully managed. But as the young, decent people of the world inherit this melee of selfishness, we must remember the words of Jimmy Reid: “A rat race is for rats. We’re not rats. We’re human beings.”
It is in this spirit—of celebrating the human spirit even at the threshold of disaster—that we present this issue.
This magazine opens with a pressing concern for our media landscape. Karl Rutledge critiques the BBC and other major outlets for normalising far-right rhetoric, asking whether this is a defence of free speech or a dangerous moral failure. In turn, Paul Halas sounds the alarm, calling for the left to consolidate its response to the rising threat of fascism before it’s too late.
Our political analysis continues with a global perspective. Richard Steinhardt notes that the current Pope, Leo XIV, has not adequately stepped up to defend Palestinians against ongoing starvation and genocide, arguing the Vatican has sided with the United States against the multi-polar world. Further amplifying these geopolitical tensions, Phil Hall speculates on the Trump regime’s recent gathering of 800 senior military officers, asking the ominous question: is Trump preparing for a blitzkrieg?
In the realm of culture and the arts, we celebrate the centenary of Nissim Ezekiel, a pioneer of Indian poetry in English. We also present an interview with the Venezuelan poet Carlos Katan, who explores his personal philosophical outlook. From the silver screen, Norman B. Schwartz offers a biographical sketch of Humphrey Bogart, while Jon Elsby reviews Ben Machell’s Chasing the Dark, an exploration of Tony Cornell’s investigations into the supernatural.
This issue also features critical discussions on the misuse of indigenous rights and media as weapons of imperialism. A particularly illuminating article by Andy Hall on his coverage of the Cuban withdrawal from Angola provides a masterclass in journalism in how the mainstream narrative imposes itself on journalists.
We then offer a moment of satirical relief with a parody of an outgoing spy chief’s speech, followed by a dark piece of short fiction from Amal Chatterjee. We are also proud to include extracts from the engaging memoir of chef David Yip, and from Margaret Yip, who details the challenges of family separation.
To cheer us all up, Grace McNicholas writes on the joys of rewilding chickens, and Arun Kapil reflects on the most crucial ingredient in cooking: time. In a keenly felt piece, Phil Hall discusses the Palestinian dish, Fatteh, using it as a lens to reflect on food, family, and the ongoing profound tragedy.
Finally, we end by questioning the very concept of utopia. As we ponder, we are reminded that those who defend their own existing utopia are often the very same who deny everyone else’s.
We publish as the world holds its breath. We must turn back from the brink.
-

ROGER MURPHY: TALKING OF MICHELANGELO
Detail from Day of Judgment by Michelangelo Wikimedia Commons Roger Murphy is a poet whose work interrogates the gulf between private feeling and public expression, between the enormity of human suffering and the polite silences with which we so often meet it. Born in Dublin in 1955 and raised in England, Murphy’s path has been…
-

SIX POEMS BY JOHN GREENING
John Greening. Photograph courtesy of the author We are proud to publish the following six poems by John Greening, an English poet, critic, playwright, and teacher whose work is worthy of particular note. Greening has published more than twenty poetry collections, including To the War Poets (2013), The Silence (2019), and The Interpretation of Owls: Selected Poems, 1977–2022 (2023), alongside…
-

‘Why don’t you f**k off back to England?’
Photograph by Gene Taylor on pexels Or, how it feels to be cancelled by the SNP. by J.W. Wood Edinburgh, January 2009. The pub is packed: you’re reading as one of four up-and-coming poets, all with your first books or pamphlets published in the last eighteen months. You yourself have just had the longest…
-

SIR ANDREW MOTION: POET OF HONOUR
Photograph Johnny Ring There are many Andrew Motions. Not only an English poet, novelist, and biographer, who was Poet Laureate from 1999 to 2009 but someone who gave much back to the English nation through his work as a founder of the Poetry Archive and President of the Campaign to Protect Rural England. He…
-

Socialism? What Are We Really Talking About?
Meeting of the Communist Party of India in Kerela. Photograph by Mr.Rabindra Bagh The precise term for revolutionaries to use is not “socialism”, but “communism”, but the agent of revolution is not a communist party, it is communists themselves by DOMZA The communists mean to show the way, as a vanguard, through revolution, to…
-

Environment, Language, Technology and the Search for Aliens
The illustration on the Pioneer 10 plaque. Designed by Carl Sagan and Frank Drake. Artwork prepared by Linda Salzman Sagan. Photograph by NASA Ames Research Center (NASA-ARC) A World Speaks Its Technology by Phil Hall The search for alien techno-signatures requires a deep understanding of what is technology itself. The central contention of this essay is that particular technologies…
-

On Looking Into John Ruskin’s Praeterita
The cover of Praeterita. On the left are drawings of John Ruskin’s two aunts by Phil Hall It took me years to read Crime and Punishment. I first tried when I was 14, then tried again at 15 and finally completed it at 16. What world do we enter, when we open a book?…
-

The Liturgy of Ordinary Things: Michael Schmidt’s Shifting Poetics
Michael Schmidt. With kind permission by Yogesh Patel In the prefatory statement Michael Schmidt opens Here They Are (2026) with a declaration: “Poetry sometimes goes its own way, abandoning storytelling and lyric and following instead ‘the way of language’, discovering for a change what it has to say – more interesting than what the ‘I’ intended.” This claim…
-

LETTER FROM AMERICA II: TRUMP’S SHITSHOW ON THE ABRAHAM LINCOLN
My carrier on the day the Vietnam War ended. Photograph courtesy of Dave Blazer A navy operates on real timelines—not television timelines. by Dave Blazer I was a sailor. When a carrier crew is pushed past 200 continuous days at sea with, essentially, no liberty, that is not proof of national strength. It is…
-

HOW THE TECH BROS USE AI TO GASLIGHT HUMANITY
Amazon Web Services Data Center in the U.S. Photograph Tedder, Wikimedia Commons by Phil Hall It was a family joke. Once we asked a friend about her son. How was he doing at school? And her reply was. He is very intelligent! He associates! Now this made us laugh, because the ability to associate…





















You must be logged in to post a comment.