Ars Notoria Futurum
As a humane socialist magazine, it would be remiss of us not to begin by commenting on the tragic and worrying events unfolding nationally and internationally. Tragedy and worry overshadow everything, yet they should not colour everything. This October edition of Ars Notoria might very well be renamed Ars Notoria Futurum in the spirit of science fiction, for all our dystopian futures seem to be arriving at once.
Orwell’s world of disinformation and surveillance is here, alongside the serried ecocatastrophes of J.G. Ballard. We stand at the abyss where the possibility of nuclear war beckons, and our leaders whisper, “Jump!” Financial and armaments corporations control governments, and Artificial Intelligence is taking sides, becoming as mad as a hatter. Most painfully, we witness a nation, born from the ashes of a European Holocaust, now perpetrating a genocide of its own against the Palestinian people, with the full collaboration of the US and UK governments. We are suffering from a nauseating historical whiplash.
This is the future. A future where the US president suggests generals practise war on their own people, where surveillance is automated, and where a digital ID monitored by AI threatens to bring the dystopia of all dystopias to our doorstep. Yet here, at the quiet centre of the imperial hurricane, life is deceptively peaceful. The Rawlsian calculus of rebellion is carefully managed. But as the young, decent people of the world inherit this melee of selfishness, we must remember the words of Jimmy Reid: “A rat race is for rats. We’re not rats. We’re human beings.”
It is in this spirit—of celebrating the human spirit even at the threshold of disaster—that we present this issue.
This magazine opens with a pressing concern for our media landscape. Karl Rutledge critiques the BBC and other major outlets for normalising far-right rhetoric, asking whether this is a defence of free speech or a dangerous moral failure. In turn, Paul Halas sounds the alarm, calling for the left to consolidate its response to the rising threat of fascism before it’s too late.
Our political analysis continues with a global perspective. Richard Steinhardt notes that the current Pope, Leo XIV, has not adequately stepped up to defend Palestinians against ongoing starvation and genocide, arguing the Vatican has sided with the United States against the multi-polar world. Further amplifying these geopolitical tensions, Phil Hall speculates on the Trump regime’s recent gathering of 800 senior military officers, asking the ominous question: is Trump preparing for a blitzkrieg?
In the realm of culture and the arts, we celebrate the centenary of Nissim Ezekiel, a pioneer of Indian poetry in English. We also present an interview with the Venezuelan poet Carlos Katan, who explores his personal philosophical outlook. From the silver screen, Norman B. Schwartz offers a biographical sketch of Humphrey Bogart, while Jon Elsby reviews Ben Machell’s Chasing the Dark, an exploration of Tony Cornell’s investigations into the supernatural.
This issue also features critical discussions on the misuse of indigenous rights and media as weapons of imperialism. A particularly illuminating article by Andy Hall on his coverage of the Cuban withdrawal from Angola provides a masterclass in journalism in how the mainstream narrative imposes itself on journalists.
We then offer a moment of satirical relief with a parody of an outgoing spy chief’s speech, followed by a dark piece of short fiction from Amal Chatterjee. We are also proud to include extracts from the engaging memoir of chef David Yip, and from Margaret Yip, who details the challenges of family separation.
To cheer us all up, Grace McNicholas writes on the joys of rewilding chickens, and Arun Kapil reflects on the most crucial ingredient in cooking: time. In a keenly felt piece, Phil Hall discusses the Palestinian dish, Fatteh, using it as a lens to reflect on food, family, and the ongoing profound tragedy.
Finally, we end by questioning the very concept of utopia. As we ponder, we are reminded that those who defend their own existing utopia are often the very same who deny everyone else’s.
We publish as the world holds its breath. We must turn back from the brink.
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SMOOTH OPERATOR: taking on the biggest poker game in the world
Grand Lisboa and Wynn buildings in Macau. Photograph Da Na Pexels Macau ‘whales’ are the biggest fish in high stakes poker by Thomas Levene This article is, in part, my personal poker journey and, partly, an insight into the mysterious and secretive world of nose-bleed cash games that just get bigger and bigger. The…
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Sonnet Mondal: Poems From the Heart
Ever since I stumbled on Sonnet Mondal’s poems, I have been captivated by their stunning simplicity and words evoking a magical experience. That he achieves this consistently is breath-taking. In this occasional series, our aim is to connect you with some of these exceptional beauties I come across. These are rare, as they don’t…
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The Frame Problem Has Not Gone Away
HAL 9000. Image Tom Cowap Wikimedia Commons … and China is ahead in the AI war by Phil Hall Western AI’s overreliance on massive clustering and scaling represents a dangerous delusion and wish fulfillment at a time when AI is being weaponised, mainly by US tech companies. These companies are making a high stakes…
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Sergei Karaganov the Apparatchik Chameleon
Karaganov in 2017. Photograph Dmitry Rozhkov If the way you followed leads you to advocating for nuclear war, Karaganov, of what use is your way?* ‘These officials are in essence — our rabble; the rabble of yesterday’s and today’s day: not the gentry and not the common people; not beasts, not clods of earth,…
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THE ANIMATED WORLD OF GEOFF DUNBAR
Production Cels Courtesy of Geoff Dunbar Interview with an animation great Geoff Dunbar has been a major figure in the world of British animation since the early 1970s, winning several awards for his films, and creating a truly impressive volume of work. Animator/producer/director Dunbar is best known for Lautrec (1975), Ubu (1980) and Rupert…
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Co-Constitution and the Holonic Path of Evolution
A coral reef does not merely adapt to the ocean, it co-constitutes the living reef-ocean system. Photograph Francesco Ungaro Reimagining Evolution as a Creative Partnership of Wholes and Parts by Phil Hall Traditional adaptivity—traits that enhance an organism’s survival and reproduction within a fixed environment—falls short when seeking to understand holonic evolution. The dominant…
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Childhood’s End
Inspired by a photograph by Eve Hall Snr. We must embrace complexity, and evolve to meet the challenges of our time A person who understands that all people are members of his body is a sound person to guide them. Paraphrased from the Tao Te Ching by Phil Hall The self emerges from stories.…
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July Issue
What are you, FBI or something? Yves Montand in Grand Prix en 1966. Photograph French National Archives, Joop van Bilsen / Anefo, Public Domain Editorial The July issue opens with Ulises Paniagua mourning the loss of authentic football and the traditional World Cup spirit, overtaken by commercialization, betting, corruption, and spectacle, while celebrating the successes of the Mexican…
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JOHN GRANT: Stare at the monster: remark
John Grant is a valued member of our New Malden Writers’ Group. His poems are clear in their ideas and accomplished in form. They do what they say on the tin! We always start with a poem by John and end with a poem by John because they put the New Malden Writers in…
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Dominic Fisher: Four Poems
Gargoyles in Bristol. Money going up may not trickle down again. Photograph Phil Hall At the bathroom door Drying my handsI saw my grandfather’s hands againthe deltas there, the sandbanksspots and blotches in the shallows. I saw them withdrawingto the silent island of himselfand mine still going out to sea. And you turningat…
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Tebræ, African Art and Fractal Geometry*
Tejidos Songhay [Mali] [Colección Fondo Kati]. by Ismaël Diadié Haïdara To Paco Montañés, painter Theme and Variations – I 1 Tebræ are two-verse poems (with 6 feet in the first verse and 8 in the second), shorter than haikus, initially created by Hasaniya-speaking women of the Sahara Desert. They are like objects whose structure repeats…
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FRANCESCA YOUNG: Letters to Former Lieutenant Yamaguchi Hiroshi, 1947
Photo by Murry Lee Dear Lieutenant Yamaguchi I am ashamed to admit this but I simply have to tell someone. I always considered you a friend during the war, not just my superior, and I trust your judgement. I have been acting as a translator for the Americans since shortly after the surrender. Well…





















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