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The Art of the Noteworthy — Bimonthly

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Ars Notoria

The Art of the Noteworthy — Bimonthly

May Issue


Two men smiling and engaging in conversation, one wearing glasses and a black suit, the other in a colourful patterned shirt.

From ‘Hanging Out with Muhammad Ali’ by Andy Hall. Photograph Andy Hall

EDITORIAL: To the Ostriches


With the Doomsday Clock at 85 seconds before midnight, the mood is, of course, best summed up by Yeats, whose poem The Second Coming is being quoted more and more often.

The Second Coming

Turning and turning in the widening gyre
The falcon cannot hear the falconer;
Things fall apart; the centre cannot hold;
Mere anarchy is loosed upon the world,
The blood-dimmed tide is loosed, and everywhere
The ceremony of innocence is drowned;
The best lack all conviction, while the worst
Are full of passionate intensity.

Surely some revelation is at hand;
Surely the Second Coming is at hand.
The Second Coming! Hardly are those words out
When a vast image out of Spiritus Mundi
Troubles my sight: somewhere in sands of the desert
A shape with lion body and the head of a man,
A gaze blank and pitiless as the sun,
Is moving its slow thighs, while all about it
Reel shadows of the indignant desert birds.
The darkness drops again; but now I know
That twenty centuries of stony sleep
Were vexed to nightmare by a rocking cradle,
And what rough beast, its hour come round at last,
Slouches towards Bethlehem to be born?

W.B. Yeats


In this issue, unfortunately, we must deal with subjects like racism, ignorance, exploitation, and fascism — and the possibility of a nuclear holocaust started by the death thrashings of the American Empire, which hopes that, perhaps, if it triggers a global conflagration, in a devastated world, the USA will be the last nation standing.


What is the logical end result of building a society based on greed? Obviously, it is poverty, inequality, oppression, injustice, violence, thievery, and perhaps even annihilation. Without piracy, pirates can’t make a good living.

As the New Yorker cartoon by Manikoff says,  ‘And so, while the end-of-the-world scenario will be rife with unimaginable horrors, we believe that the pre-end period will be filled with unprecedented opportunities for profit.’ 

There are great opportunities for the US and Western corporations to make profits from manufacturing and selling weapons, from skyrocketing oil prices, from rebuilding what they blew up, from using AI to pillage the entire cultural inheritance of humankind.


And if all this sounds a little melodramatic to you, you ostrich, then look around you at the signs and portents. Notice a war or two in progress, a genocide, a disastrous attack on the world’s energy supplies?

No, you did not dream it! A baby eating toad is now the president of a psychopathic colonial nation founded on the basis of genocide and slavery.

We can hope and work and vote and agitate for a better world; for the restoration of the land, for opportunities to work and create useful and worthwhile services, we can work to remove the suckers of this dangerous vampire squid from off us all.

Remove the parasite of global capitalism and save your lives and souls! Save your families and your town, and country and planet!

But, still, even in the face of this horror of nuclear brinkmanship let us celebrate what there is to celebrate, which is plenty while we are all still alive.

In the small spaces and in the unmonitored and unsurveyed freedoms we have that remain, we can concentrate on love, friendships, parenting and teaching, growing and cooking good food to share, on playing music together, on art, poetry, photography and sensible debate. We can still express human emotions thoughts and and philosophies, and design and build small and big things and maintain them. Above all we can treasure and look after the natural world.

We can talk about what has happened, what is happening, and what we would like to happen, and then, please God, let’s work collectively to make it happen.

Ars Notoria Magazine


FEATURED


The Birth of the Atlantic and the Construction of the Figure of the “Negro”by ISMAËL DIADIÉ HAÏDARA

READ

Ulises Paniagua Olivares: ‘Sensibility is Thought’

READ

Hanging Out with Muhammad Ali by Andy Hall

READ

Vote for the Greens & Put Forests Centre Stage! ANANDI SHARAN

READ

Photo Essay: Celebrating Holi in the Streets of Mumbai by Andy HalL

READ

LIFESTYLE


farmers in india

Black Pepper, White Salt, Green Magic by Arun Kapil

READ

A London Pub Crawl BY PHIL HALL

READ

charming stone structure along pont aven river

The Gersois Meal by Paul Halas

READ

orange cat lying on the floor

Roadkill: Eat it, You Are Not Guilty of Its Death by Pete Field

READ

FILM / SHORT STORY / PHILOSOPHY


18 Hitching the Wagon by Norman B. Schwartz

READ

PETER COWLAm: THE LOTTERY GATES

READ

Frusick: Making Sweeter Music by J.W. Wood

READ

lunar eclipse sequence in stunning detail

J. L. Borges: Berkeleianism versus Buckleianism by Peter Cowlam

READ


POETRY


A Water Jug of Larks BY RODRIGO TRUJILLO

READ

Sudeep Sen’s Walks in Leopard Country

READ

The Orbis Poetry Prize 2025: A Subscribers’ Choice BY YOGESH PATEL

READ

traditional burundian meal with ugali and beans

A Selection of Jennifer Johnson’s African Poems

READ

Three Poems from Armenida Qyqja

READ

Daljit Nagra’s Poetics of Tactile SabotageBY YOGESH PATEL

READ

POLITICS & HISTORY


From Empire to Domestic Ethnic Cleansing? by Pete Field

READ

uk flag on creased paper

Attracted to Conspiracy Theories and Fascism? by Bryan Greetham

READ

Dear President Donald Trump . . . MENE MENE TEKEL UPHARSIN! by Dustin PICKERING

READ

The Futility of War and the Hapless Victims of War BY MOLLYJOSEPH

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LITERARY LIFE AND MEMOIR


Paul Halas: Mon Oncle

READ

women uniting in forest team spirit

Carol Rumens & the Birth of the Online Literary Commons BY PHIL HALL

READ

brown deer under the green leaves

Cheryll Barron answers

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SCIENTIFIC SPECULATION


The Phobos AnomalyBY PHIL HALL

READ

NEW MALDEN WRITERS


close up of a black dog

NEW MALDEN WRITER KARL RUTLIDGE:Morning, world. Still here!

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PAST ISSUES


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march

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CONTRIBUTORS


WITH MANY THANKS

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POSTS

  • SMOOTH OPERATOR: taking on the biggest poker game in the world
    30th October 2021

    SMOOTH OPERATOR: taking on the biggest poker game in the world

    Grand Lisboa and Wynn buildings in Macau. Photograph Da Na Pexels Macau ‘whales’ are the biggest fish in high stakes poker by Thomas Levene This article is, in part, my personal poker journey and, partly, an insight into the mysterious and secretive world of nose-bleed cash games that just get bigger and bigger. The…

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  • Sonnet Mondal: Poems From the Heart
    16th March 2021

    Sonnet Mondal: Poems From the Heart

    Ever since I stumbled on Sonnet Mondal’s poems, I have been captivated by their stunning simplicity and words evoking a magical experience. That he achieves this consistently is breath-taking. In this occasional series, our aim is to connect you with some of these exceptional beauties I come across. These are rare, as they don’t…

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  • Childhood’s End
    2nd July 2026

    Childhood’s End

    Inspired by a photograph by Eve Hall Snr. We must embrace complexity, and evolve to meet the challenges of our time A person who understands that all people are members of his body is a sound person to guide them. Paraphrased from the Tao Te Ching by Phil Hall The self emerges from stories.…

    Read More…

  • 1st July 2026

    July Issue

    What are you, FBI or something? Yves Montand in Grand Prix en 1966. Photograph French National Archives, Joop van Bilsen / Anefo, Public Domain Editorial The July issue opens with Ulises Paniagua mourning the loss of authentic football and the traditional World Cup spirit, overtaken by commercialization, betting, corruption, and spectacle, while celebrating the successes of the Mexican…

    Read More…

  • JOHN GRANT: Stare at the monster: remark
    1st July 2026

    JOHN GRANT: Stare at the monster: remark

    John Grant is a valued member of our New Malden Writers’ Group. His poems are clear in their ideas and accomplished in form. They do what they say on the tin! We always start with a poem by John and end with a poem by John because they put the New Malden Writers in…

    Read More…

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