S C I E N C E S P E C U L A T I O N

3I ATLAS: ALONG COMES A BLACK SWAN
Phil Hall
F I L M

THE BOOKSHOP
Amal Chatterjee

PERFORMANCE POETRY
DUMAH
Yogesh Patel

COMMENT
UNQUESTIONING SCIENTISTS & SERVILE INTELLECTUALS
Richard Steinhardt
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SMOOTH OPERATOR: taking on the biggest poker game in the world
Grand Lisboa and Wynn buildings in Macau. Photograph Da Na Pexels Macau ‘whales’ are the biggest fish in high stakes poker by Thomas Levene This article is, in part, my personal poker journey and, partly, an insight into the mysterious and secretive world of nose-bleed cash games that just get bigger and bigger. The…
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Sonnet Mondal: Poems From the Heart
Ever since I stumbled on Sonnet Mondal’s poems, I have been captivated by their stunning simplicity and words evoking a magical experience. That he achieves this consistently is breath-taking. In this occasional series, our aim is to connect you with some of these exceptional beauties I come across. These are rare, as they don’t…
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REFLECTIONS ON A QUAKER LONDON AREA MEETING
City of London street. Photograph Andy Hall by Phil Hall The London Stone is a block of Clipsham limestone, roughly 53cm by 43cm by 30cm, now housed behind a grille in Cannon Street. It is unremarkable—a lump of weathered oolite, It is a stone that has a history, but it has no inscription and…
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The Frame Problem Has Not Gone Away
HAL 9000. Image Tom Cowap Wikimedia Commons … and China is ahead in the AI war by Phil Hall Western AI’s overreliance on massive clustering and scaling represents a dangerous delusion and wish fulfillment at a time when AI is being weaponised, mainly by US tech companies. These companies are making a high stakes…
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Sergei Karaganov the Apparatchik Chameleon
Karaganov in 2017. Photograph Dmitry Rozhkov If the way you followed leads you to advocating for nuclear war, Karaganov, of what use is your way?* ‘These officials are in essence — our rabble; the rabble of yesterday’s and today’s day: not the gentry and not the common people; not beasts, not clods of earth,…
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THE ANIMATED WORLD OF GEOFF DUNBAR
Production Cels Courtesy of Geoff Dunbar Interview with an animation great Geoff Dunbar has been a major figure in the world of British animation since the early 1970s, winning several awards for his films, and creating a truly impressive volume of work. Animator/producer/director Dunbar is best known for Lautrec (1975), Ubu (1980) and Rupert…
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Co-Constitution and the Holonic Path of Evolution
A coral reef does not merely adapt to the ocean, it co-constitutes the living reef-ocean system. Photograph Francesco Ungaro Reimagining Evolution as a Creative Partnership of Wholes and Parts by Phil Hall Traditional adaptivity—traits that enhance an organism’s survival and reproduction within a fixed environment—falls short when seeking to understand holonic evolution. The dominant…
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Childhood’s End
Inspired by a photograph by Eve Hall Snr. We must embrace complexity, and evolve to meet the challenges of our time A person who understands that all people are members of his body is a sound person to guide them. Paraphrased from the Tao Te Ching by Phil Hall The self emerges from stories.…
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July Issue
What are you, FBI or something? Yves Montand in Grand Prix en 1966. Photograph French National Archives, Joop van Bilsen / Anefo, Public Domain Editorial The July issue opens with Ulises Paniagua mourning the loss of authentic football and the traditional World Cup spirit, overtaken by commercialization, betting, corruption, and spectacle, while celebrating the successes of the Mexican…
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JOHN GRANT: Stare at the monster: remark
John Grant is a valued member of our New Malden Writers’ Group. His poems are clear in their ideas and accomplished in form. They do what they say on the tin! We always start with a poem by John and end with a poem by John because they put the New Malden Writers in…
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Dominic Fisher: Four Poems
Gargoyles in Bristol. Money going up may not trickle down again. Photograph Phil Hall At the bathroom door Drying my handsI saw my grandfather’s hands againthe deltas there, the sandbanksspots and blotches in the shallows. I saw them withdrawingto the silent island of himselfand mine still going out to sea. And you turningat…
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Tebræ, African Art and Fractal Geometry*
Tejidos Songhay [Mali] [Colección Fondo Kati]. by Ismaël Diadié Haïdara To Paco Montañés, painter Theme and Variations – I 1 Tebræ are two-verse poems (with 6 feet in the first verse and 8 in the second), shorter than haikus, initially created by Hasaniya-speaking women of the Sahara Desert. They are like objects whose structure repeats…
















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